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Elements and Performance Criteria

  1. Excel at a physical conditioning program
  2. Practise virtuoso technique
  3. Perform advanced solo variations
  4. Develop professional practice

Required Skills

Required skills

communication skills to

respond appropriately to feedback on own skill development and performance

consult with peers and mentors including interpersonal skills relating to listening questioning gaining feedback and giving information

initiative and enterprise skills to

work creatively with music and dance

adapt appropriately to cultural differences in dance

dance with artistry and assurance

communicate mood style and grace through dance

learning skills to

perfect virtuoso contemporary dance techniques through

practising complex movements and sequences

a positive attitude to dancing

excel at a personal physical conditioning program

planning and organising skills to

prepare for performances and auditions

plan practice time

selfmanagement skills to demonstrate professional work ethic

technical dance skills to

execute high level of competency in each section of class work including technical requirements such as

transference of weight

placement and coordination of body parts

strength and stability

posture

balance

rotation

employ physical control throughout solo performances

maintain correct posture weight placement and alignment in both parallel and fully rotated turnout position

retain and reproduce complex movement sequences

show alignment and extensions in combinations of a high level of difficulty

reproduce complex movement sequences on both sides of the body

show facility and speed in directional changes

respond to different time signatures

demonstrate facility in coordinated timing

perform high level isolation and energy placement techniques

retain and reproduce complex movement sequences

show alignment and extensions in combinations of a high level of difficulty

execute balances turns and jumps on and off centre in a wide variety of shapes

demonstrate a high level of spatial awareness including floor patterns and aerial pathways

exhibit a high level and range of coordination of limbs torso and head

exhibit confidence in creating movement sequences

show a consistent level of commitment

Required knowledge

choreographic and stylistic nuance in relation to contemporary dance

genres styles and philosophical nature of contemporary dance

influential choreographers in contemporary dance

relationship between acting and contemporary dance

correct contemporary dance terminology

roles or hierarchy in professional situations

virtuoso technique as it applies to each section of dance work such as

warm up

stretching

floor work

centre practice

falls

turns

jumps

travelling

cool down

principles underlying dance movements and virtuoso techniques such as

relationship with gravity

spatial awareness

successional movement

use of breath

folding

extending

rotating

shifting weight

anatomical foundations including

articulation of the spine

engagement of the feet

bases of support including feet legs hands arms and torso

range of motion of the joints

differentiation of the legs and pelvis

risk factors in contemporary dance for the physical body

musical rhythms including

time signatures

beat

tempo

syncopation

Evidence Required

The evidence guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to execute

technical virtuosity

advanced sequences executed with brilliance speed and clarity to a professional standard

personal presentation and artistry through the refinement of individual artistic qualities and personality including interpretation and expression in solo performances

effective solo performance from selected repertoire at professional level

Context of and specific resources for assessment

Assessment must ensure access to

fully equipped dance studios

appropriate music or accompanists

Method of assessment

A range of assessment methods should be used to assess practical skills and knowledge The following examples are appropriate for this unit

observation of practice or performance through full practical demonstration

verbal or written questioning to test knowledge as listed in the required skills and knowledge section of this unit

video recordings of performances or practice sessions

case studies and scenarios as a basis for discussing components of contemporary dance technique

Assessment methods should closely reflect workplace demands eg literacy and the needs of particular groups eg people with disabilities and people who may have literacy or numeracy difficulties such as speakers of languages other than English remote communities and those with interrupted schooling

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUADANA Perform dance repertoire at a professional level

CUADAN601A Perform dance repertoire at a professional level

CUADANA Extend contemporary dance performance skills to a professional level

CUADAN608A Extend contemporary dance performance skills to a professional level

CUADANA Extend allied contemporary dance techniques at a professional level

CUADAN610A Extend allied contemporary dance techniques at a professional level

CUAINDA Work professionally in the creative arts industry

CUAIND601A Work professionally in the creative arts industry.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Risk factors may relate to:

consistency of a physical fitness regime

own ambition

expectations of others

injury-prevention strategies

gender issues

body image and eating disorders

insufficient hydration

poor nutrition

incorrectly fitting footwear

gender-appropriate performance techniques.

Warm-up and cool-down may include:

stretching

joint-mobility exercises

flexibility exercises

aerobic activities

anaerobic exercises

coordinated breathing activities

floor work.

Contemporary dance technique may include:

upper and lower body poses, phrases and movements

correct breathing techniques

balanced positions, including:

elevation of steps

body positions

transitions while in motion and while stationary

standing work and travel combinations

jump work

variations in timing and styles of movement

expressing a range of emotions through the language of dance

centre control

spotting employment of strength and agility

employing visualisation techniques

employing strength and agility

demonstrating an awareness of personal and general space when travelling and stationary

using arm lines appropriately and extensively

multi-turning exercises

clean, sharp isocentric and polycentric isolations

correct posture and alignment when in motion

demonstrating safe dance practices in jumping and faster travelling steps

footwork, arm lines and head movements in combination to express rhythm

performing complex turns while maintaining good technique

moving against gravity with confidence and knowledge.

Sections of class work may include:

warm up

stretch

floor work

centre practice

turns

travelling sequences

sequences with altered spatial organisations,

combining all aspects of embodiment and temporal structures

jumps

cool down.

Performance attributesmay include:

strength, flexibility, coordination and cardiovascular endurance

detailed musicality with attention to nuances of interpretation

movement qualities to movement sequences

strong sense of individuality and 'presence' in the execution of sequences

sensibility in sequences of increasing difficulty

alternative and structurally changing musical time signatures and phrasing for extended sequences

different expressive qualities applied to movement sequences

extensive and changing expressive qualities applied to movement sequences

assured artistic interpretations of sequences and variations.

Footworkmay include:

multiple turns in centre and travelling configurations

sequences that fully demonstrate the capacity to seamlessly transfer weight in all pathway directions

sequences that require the full range of movement executed with style and confidence.

Repertoire may include:

contemporary

modern ballet

original choreography.

Physical learning and adaptability may include:

set exercises or sequences

unseen exercises or sequences

sequences from a range of techniques, such as:

release

Horton

Limon

Cunningham

Graham

execution of extended sequences to right and left sides without prompting

self-correction.

Professional work ethicmay refer to:

attentive behaviour in creative practice

awareness of:

substance abuse

addictive behaviours

expectations of others

eating disorders

effective management of personal finances

balanced diet

energy levels and personal limitations

stage and theatre etiquette

developing strategies to:

cope with performance anxiety

maintain motivation

effective personal hygiene habits, such as:

clean and short nails

clean and tied-up hair

clean hands

ongoing dedication to a physical conditioning exercise program

maintaining concentration, focus and physical alertness in all performance activities

maintaining costumes and other apparel

maintaining a work-life balance

punctuality and reliability

working creatively with individual differences.

Extending scope of performance practice may include:

working effectively with tutor or coach

participating in professional development and other learning opportunities

undertaking training courses

practising systemically

participating in relevant groups or associations

experimenting with own performance

communicating with peers

being involved in a range of relevant performance activities

viewing and reviewing relevant performance events and activities.

Regimes and artistic strategies may include:

lectures

seminars

conferences

symposiums

master classes

professional organisations

practical workshops

performance rehearsals

individual training.